I was looking back over the years at the people I’d worked with and those who I’d enjoyed the best relationships with. Without question it was those I respected that I liked the most. They were the types who were comfortable with themselves and whose behavior both professionally and socially were admirable. Each time you met them they were the same and when you spoke to others you’d hear the same remarks, ‘Good guy, nice girl, I like them’ and where people were uncomplimentary it was probably because they were jealous. They wished they could be more like them and hated the people who gave them accolades and to retaliate they’d be insulting or sarcastic.

These are people who earned a reputation, it’s not something that comes easy and it isn’t something you can force on people. It’s there because of the constant way you conduct your life and your affairs. People can rely on you, they know what to expect and they’re understanding when things don’t go quite the way they should. They respect you because of a consistency in the way you are, they sort of feel safe with you and at ease. You show the basic human ingredients that so many lack nowadays. Reputable people are trustworthy, loyal and have standards they live up to, not because they want to show off but because they want to do something to the best of their ability. They want to do everything in their power to do whatever they can to make it a  success.

Nothing is of any value  unless you earned it. The music industry thrived for so many years because of the sum total of it’s parts, not just the artists but the whole infrastructure. It was a business where people collaborated with one another and where each contributed to the end result. They made it happen, they made it a success. They didn’t wallow in their own glory and when one project was over they moved to the next with the same belief and with the same determination. It was done in perfect harmony. Your work colleagues were your mentors,they mentored you and you, in turn mentored them. If you worked with someone who had a reputation of being successful it drove you to reach those heights, you wanted to be as good at what you did as they were at what they did. It was a natural human instinct, no self respecting person employed to do a task with others wanted to lag behind.

Reputation is born out of pride and integrity , groomed from respect and deserved through merit. If you do something long enough and you do it well then recognition is the ultimate reward. No one need utter words of congratulations if you are true to yourself and know you tried your hardest. When you know what you have achieved and when you can see how others have benefitted from the results it’s safe to reflect in the gratification. And to know your reputation is something that you have earned.

I was particularly saddened yesterday looking at The Sun (not that one, the English tabloid.) I went on line curious to see what they had to say about Manchester United’s destruction of AC Milan and there emblazoned on the front cover was a story about Take That’s Mark Owen. I read it and went back over the previous story and it took me back to some really enjoyable times working with the guys in the 90’s back in the UK. More on Mark’s demons in a future blog but for now let’s stay happy.

For me Take That started the whole boy band thing and when they reformed and came back with that song ‘Precious’ I thought, ‘Oh My God, the first all man band! ‘What an amazing song and what a triumphant return. When a band return as good, even better than the first time it’s plaudits all round, and especially when they aren’t trying to be what they were. It shows great belief in yourself to come back and not want to do what you did before, be a shadow of your former self. While the dance routines change so has the audience. Fond memories are still evoked yet people think, shit that’s real talent. Of course a lot of the well loved songs are in there but they’re not pretending to be twenty any more. For me one of the greatest ever comebacks and splitting when they did was, on reflection probably the right thing to do. Although when I was at BMG and present at the press conference they held at an hotel at Manchester Airport to announce the split to the world’s media I was thinking, what the ….

Take That proved that you can go away, do what you have to do, take time away from each other and do solo projects or just chill and then when the time is right, go for it. It’s a shame they didn’t crack America but back then it was all Justin with his N Sncys and no one was interested. And that knobhead Louis Pearlman was  doing the do and projected them in to the stratosphere. He got  a little greedy though our Louis. I wonder what he’s doing now?……N sync were OK but there were some dodgy wax chested impersonators around at the time who pale in comparison( and chest hair) to those fab boys from my home town of Manchester, England.

With the phenomenal success of Take That you can happily advocate the reforming of bands. If there is a purpose there is always a reason and Take That reforming was a purposeful reason! It made everyone sit up and become aware of a how an act can mature through years. And what’s more they didn’t need the boy Williams and were right not to recruit him especially when his career needed it. Remember how you used to slag them off Robbie?

Simon Cowell has a whole lot to thank Take That for, he didn’t find them and he never found any boy bands half as good as them..

He has never believed in careers and yet he claims that hearing Elvis was the first time he heard rock and roll?  So if he heard it then it must have made an impact, surely?  And does it not impress him that Elvis, the first artist he really heard as a kid is still an icon today, a true idol? Also ‘She loves you’ by The Beatles was the firsr record he asked his mother to buy for him, that must have had an affect to, right? You sent your mum out damn it! And the same scenario, longevity and careers. It didn’t though and maybe not even wanting to go with his mother to the store to buy the record and sense the excitement said it all, even way back then. He never cared about the music, just the functionality of it. The like, the must want and the must have.

He also says Bob Dylan wouldn’t have been chosen for American Idol, we’d have left him crying in a car park in Idaho and Simon Cowell wouldn’t have cared. But what about the rest of us? Who cares, no Mr Tamborine Man, no All Along the Watchtower and no career if that had been the make of of And R people back then. But fortunately we had people like John Hammond who cared enough to bring through the real artists, they cared about talent and not about themselves. They knew the pedigree of an artist and had the faith to allow them to develop. They helped one another, there were no puppets signed and told to do as they (the A and R people) said and if they didn’t they wouldn’t work with them. It was a collaboration, it was a democracy and a republic. There were no dictators.

So he doesn’t believe in careers, he was influenced by people who had them and still have them and somehow would have passed on Dylan? No comprehendo, Dylan was Dylan because of Dylan and going back to what I said in the previous blog about Elton John, great artists know better than anyone what they have and understand how to cultivate that. Sure they need help but they don’t need anyone doing everything, they’re not that insecure to feel it’s necessary. They are happy to develop and grow at arate that is comfortable for everyone. When you do that people notice, the artist notices and the record company notices. And grow they do, and sustain they do. Careers are born and the spoils follow, and yet we went and destroyed all that so that a few people could own an industry.

If Bob Dylan had been allowed to come through today then Simon wouldn’t have been noticed as much. Weird because Dylan and Elvis left a legacy and Taylor Hicks didn’t………….or Fantasia or Reuben etc etc. The legacy  that remains from all of this is that of Simon Cowell and the power he yields controls his destiny whether with Idol or X Factor. Power destroys everything and everyone in it’s way and for Simon it will have to be his way to work. Music changed our lives and for the better, certainly from where I’m standing and now its changed again. But this time not through a musical revolution be it  rock and roll or punk. I’m not alone in thinking it’s not in all our best interests.

An idol is Elvis, Lennon or James Dean and we’re a long way off that. Idols’ retain their thrones , they don’t come and go. Idols aren’t popular for a while they live forever. Idol means something you worship,  are we now ‘worshiping’ talent show winners?Whatever you think of any of them an idol is ‘an image of a deity other than God. ‘ A God or  goddess, why in the hell are we creating false Gods from American Idol? Daughtry is a rocker, he’s not a God and neither is Fantasia a Goddess. And as for Taylor Hicks, curiously not quite a God.

Did it ever occur to anyone that nothing lasts forever?  Even if you don’t like Simon Cowell, and although personally I do then give  him one thing,  give him the credit on timing. His American Idol exit is precision timing. Look how well it worked for Little Britain and better still Basil Fawlty, knowing when to quit and sticking by your decision no matter how much money you’re offered. Seinfeld was another, wild horses wouldn’t drag him back and the residuals  for the rest of his life and beyond were more than ample. Who needs the cash apart from NBC of course. People like to have something to remember and sustaining respect and the loyalty from your fans is all about knowing when to back away and them remembering you as part of something that revolutionized television, something that was what it was because of you. They remember you for that and if it starts to decline they don’t remember you at all. The ship sinks, you drown in it. But Simon will be gone by then so if the good ship Idol were to sink he will be known as the reason it sunk. And the reason it sailed was because of him. Touche, his adoring crowd will always remember him fondly.

Great TV stars, film stars, maybe even porn stars are the ones who understand shelf life, formerly known as artist integrity. Otherwise known as sharp cookies. More in tune with longevity and not grabbing what they can while they can, like all good artists they have confidence in their own ability. They like to reinvent themselves and take on new challenges, they don’t want everything on a plate and then wonder when the plate is taken from underneath them. No more gruel Scrooge, get back to the kitchen and cook it up all over again.

We’re a live for the moment generation, too afraid that our star will cease to shine and someone else will be grabbing at our coat tails. Where are the managers hell bent on sustaining that pedigree of artist who is there on merit. And when did merit and ability and the desire to succeed ever go away? The greedy came along and robbed us and once they got in they kept coming back to rob us more and more. Talent is there to be discovered, nurtured and then made available to the masses to see just what it was that got us attracted to them in the first place. It’s never about throwing a herd of wannabes in a multitude of car parks spread across a continent so that a wizard of pop can dictate who does what with you, when and for how long. Then it’s out of the car park and back on the bus to oblivion because foolishly, for one minute you thought you had what it took. The bare faced cheek to turn up.

And then there was the eagerness to get it out and get it heard. We, the pluggers would have our say and would maybe play some key people at radio a couple of songs , get their input. Everyone would run around like kids comparing new toys at Christmas. You’d create a buzz without even trying, a real buzz. Regularly we’d talk about other people’s records, I always thought it was the best form of promotion if you had someone else talking about the records you were promoting. If you gave a record plugger from another company a record you were promoting you knew the next time you saw them they’d have heard it and they’d then tell you what they thought. We all shared the same common interest, we loved music.

And the fans did too, they loved talking about it as well as listening to it and if you heard something you liked then you would want to share that with others and pass it on. It was viral marketing in it’s infancy and before the web. Chances are that if your friends liked it they would be out at the first available opportunity buying it for themselves. A tape? Bollocks to that we all wanted our own copy!

Maybe the artist wanted it so much more then, they saw creating great new music as the ultimate challenge because they knew there was an audience out there begging for it. The music industry has always been a place where you wash your dirty laundry in public. If you release an inferior product somewhere else, in fashion, a new range of kitchen appliances, new trainers etc all that happens is it  doesn’t sell. People don’t go around critiquing it and talking about it but when your next album isn’t as good as your last everyone knows. There’s an outcry. If you’re disappointed then again it only shows you care enough.

So where are we now? If the public aren’t buying and the record companies aren’t signing then have the artists given up trying? Is everyone to blame for what has happened to the music industry? Has it gone the way of shipbuilding and cotton, was it a once a great place to be and now merely a shadow of it’s former self? Have the good old days gone and do we need to accept that however it evolves in whatever way it just won’t ever recapture the excitement and give us that adrenalin rush we all got from being a spectator or an insider?

Is all we have left, memories?

Record companies were used to breaking an act and then selling records, and records meant albums. Today if you have a hit it’s because people have bought a song. It’s possible you may never sell another, and you can’t create stars least of all big selling acts when you’re peddling songs. The public is conditioned in to downloading something they might hear off the radio and even then as current statistics are showing most of them are ‘acquiring it.’ And what that means is no one is getting paid, people have something where no revenue has been created. You don’t need a Think Tank here to work out that if you can’t get paid for something why or how can you continue. Worse still where lies the future when writing songs want earn you a living wage, never mind make you a star.

We just don’t haver a generation growing up that are likely to change that. People like me can’t understand that and the people growing up don’t understand why I can’t understand it because it doesn’t matter to them. So we’ve arrived at a stalemate because you can’t educate people who don’t want to be educated, they’ll do it their way.

What made the music business exciting was it was driven by cycles, something was in and then next year something else was in.  You can leave a door open but you still need people to want to come in. They need to be curious and they’re not.

I started to think deeper though, dangerous in itself and about the future of American Idol in general which will not stand or fall by Ellen DeGenerative, successful or otherwise. Soon the Ellen novelty will have worn off and we’ll be back to all the speculation around who will replace Simon Cowell because you have to remember that Ellen is only Paula’s replacement. Fortunately Ellen has a very lucrative career independent of Idol and won’t ever be known as ‘Paula’s replacement.’ Perish the thought,  sounds like the person thrust in to the Big Brother house when a previous contestant was exposed as being an albino dwarf who ran an illicit opium den for transvestite oil sheiks.

Interestingly enough there’s been talk of Howard Stern, and while I love Howard I don’t think so. American Idol?  He’d rather judge a porn pagent, it’s more interesting for him and anyway the after show parties would be a lot more fun. He would probably be totally scathing on Idol when he saw what they had parading in front of him and how much talent there was. That would terrify possible future contestants though also, living in fear of the wrath of Howard Stern. Oh my God, he’d tear then apart limb to limb. Howard Stern’s career is built entirely on doing what the fuck he wants and he would cater to no one. Where Simon is now motivated by sustaining his vast wealth and even adding to it, Stern is still a maverick and further and further away from the establishment. Fox doing a deal with Howard Stern, I don’t think so or if he did he’d want everything Rupert Murdoch owned. You’ll never have any Grannies thinking Howard’s sweet  or funny or cute and that alone eliminates any thoughts of mass appeal. American Idol is not about taking risks, there is too much at stake now. It’s all about the ratings because the ratings give them infinite power, the power to make even more money and that is all it’s about. Don’t tell me they’re building careers because they’re not with the exception of maybe two or three out of hundreds of thousands.I think that’s called the law of averages and a mean one in the worse sense of the word! And let us not forget there is no hiding the fact that their king is abdicating.

Elton John has been mentioned too, I think he’d be good but again it’s probably everything he despises and he certainly doesn’t need it. Elton broke because he had more than every ‘idol’ put together and then some. He didn’t need a Simon manufactured makeover that’s for sure, he mastered his own class and he has survived because he’s as far away from being manipulated by this industry as anyone. Elton knows what makes Elton become known, and remembered. He considered himself a writer but not a lyricist and got a very good one in Bernie Taupin. It’s a collaboration that has lasted to this day. Will that be Simon Cowell and Westlife in forty years?  Mmm somehow I think not. That’s the thing we don’t have nowadays, artists having the creative flair for knowing who to work with rather than being told who you ARE working with. Artists even knowing who they are and ultimately what they want. American Idol contestants are there because they want someone to do it all for them and then when they don’t get selected their world subsides.

Do the lottery it’s a safer bet.

It would be great to see an artists definition of this, ‘What does make a great album’? I’m thinking belief, talent, commitment with a dash of reality and an understanding that no matter how good you think it is you need to leave it at the mercy of others to make that final decision. If your manager, should you have one doesn’t like it then if he doesn’t say so what’s the point of having them as your manager? The record company then would be the first to stand up and offer their opinions and here’s where it’s changed, would of!  There were times an A and R person could be driven to tears going down to a studio to hear the end result from a band they’d signed, and feeling visibly moved. And more than likely they’d matched the producer with that artist. Had it worked? He/she was the proudest person on earth, all the hard work to get to this stage and now the anticipation of finally hearing it. More often than not they’d be down the studio intermittently during recordings to see how things were developing and eagerly awaiting the final playback. And the artist couldn’t wait to show them what they’d come up with. THAT”S what made a great album, people sensing greatness, always wanting it but never knowing if or when it might come. But it was enough to keep them striving for it. Part of being great is knowing you can be great.

I’d love to have the opportunity to ask people like Roger Waters or Dave Gilmour from The Pink Floyd, ‘What did it feel like when you were recording Dark Side of the Moon?’ Did they know they were creating history or did that come later? Was there any time in the studio they thought, ‘Oh my God!’ Maybe one day I’ll get the chance to ask them, I’d love to know. Was there that moment in the studio when they were listening back to it when they thought, ‘Fuck!’

Likely they’d all be together at the studio listening back to it, band , record company, manager and maybe even their publisher. I know how I felt as a kid just waiting for a new album by some of my heroes. I’m thinking as an artist you cared, you took pride in your work, you didn’t want to let people down. After all it’s your audience that put you there and they have a right to judge you on merit, you set your own standards. Was it as good as your last album and if it wasn’t could it be that maybe it’s just a change of direction, would it grow on you? If you’d made a great record were you really great, could you sustain that greatness or had you had your moment? Whatever it was it still kept you hungry and wanting whether you recorded it or you bought it.

As we discussed before and we’ll ponder over again no doubt, where is the drive and the ambition? Do you make a record knowing that not many people will buy it, does it affect how you go about making it? If that’s the case then give it away, just make sure you give it away to enough people to find out what they think of you. That’s if you care, because if you don’t care then don’t expect anyone else to. So many basic human ingredients are infectious, they rub off on you. If you’re passionate enough about something and are sincere people buy in to it. It’s easy and you know why? It’s because you’re not trying to convince people, it’s there and it’s natural. And you mean it. You’re exposed for what you are, just someone being themselves, behaving naturally. People feel comfortable and relaxed about you and interested.  Be real to see for yourself if you are real and let others decide for themselves if you are real. Real artists can believe they can make great records. Do we have enough?

This guy is totally delusional at the thought of his own invincibility, his entire life is spent sorting deals out to bring him even more dosh and now in the style of Tiger he’s looking like his life is over. His life of course being his wallet, he doesn’t seem to care too much about his wife and family and just hopes one day he’ll get the captaincy back. Mmm, dream on, to not even think he would be sacked?  What was he thinking that he didn’t even have the suss to resign? Oh I think that’s called dignity and bowing down, something you don’t do when you’re the captain of England, or at least in his eyes. After all everyone else are lesser mortals. Arrogant or what?

And slavering over your former team mate’s missus is pretty low especially when he thought you were his mate. In fact his wife was your mate really wasn’t she? Biblically you proved that.  I bet the rest of the team hire a bus to follow him home after training now. He has to be getting a few odd stares from them now as the full extent of his philandering has been revealed.

And all he seems worried about is that the publicity will hamper his earnings. Damn right it will and he deserves all he’s got coming. Just like Tiger thought he’d be OK, he wasn’t and now who would want to attach their name to a shamed ex England captain who’d lost his job cos of his knob? This guy takes the biscuit for sheer unadulterated greed as he has abused his position as our national team captain to line his pockets with as much money as possible. He really is despicable and pretty dumb too if you ask me to think he would get away with it. It’s a wonder he has the time to play football, maybe if they drop him he can pull his wages still and go around doing more deals. I can just see him rubbing his hands at the prospect, ‘Durgh I never thought of that’.

I think his arrogance has made the News of the World dig their teeth in even deeper, they aren’t going to let go by any stretch of the imagination. Let’s see how this affects his form because I’m sure there’s going to be a few sleepless nights when he comes to terms with the hurt he will feel, not for his wife but for his wallet. Sponsors will line up to be first out of the door.

What is it that we now create such self obssesed monsters.They get paid so much money and all they want is more, more, more. Whether it’s the boy who didn’t quite make it to Harvard, Carlos Tevez, Tiger ‘Shagnasty’ Woods or anyone else you care to mention there seems to be a pattern. They really do believe they have the right to do what they want and behave whatever way they see fit. And seeing fit nowadays is proving you are positively unfit to be the role model you pretend you are. “Role model?’ More like a roll in the sack with a model.

And then they think that the media should respect their privacy? They seem to be unable to realize that they forfeit that privacy when you display affections for some teammates wife. No one was following him on holiday with his family or hounding the kids by taking pictures, no they respected that as private but behaving badly is public domain.

Each week I think the press is going to be after another one now, though I have to admit trapping Terry is a gem of a find and will take some beating. They need to find an aging international who’s had unprotected sex with a farm animal and given birth to a flock of wayward geese.

In an age when the print media is suffering the News of the World are clever enough to realise nothing sells copy like a story like this embalzoned on their front page. It just looks a bigger scoop and much more scandalous when it’s glaring off a newstand than on your computer screen. And now they have their teeth in people will keep coming back for more. He’s become a laughing stock although he’s too cocky to probably realize it, just look at what happened to poor old David Beckham when he ineffectually stuck out a boot and tripped some Latino knobhead up in the World Cup. He was hounded from ground to ground week after week, vilified and still he rose above it all to become a better footballer and person. He handled it well because he’s a better equipped celeb than Terry. There’s the rub.

Because John Terry wears shorts and kicks a ball doesn’t make him a real celebrity, it makes him famous. But axe murderers are famous too aren’t they?  More like notorious if you want my opinion. You don’t, to hell with you you’re getting it anyway, no real celebs step up to the table and admit when they’ve done wrong, they don’t run around and try to instigate a cover up when they’ve been found out. This isn’t Watergate, skip. Sorry I mean ex skip.

I hope they impeach him and that Portuguese team conquering slapper disappears up her own publicity with all her melons.

Wal-Mart = Record store killer

You admired those artists and what they had and if you had a bit of that talent you thought you stood a chance. It was worth giving it a go and at least if it didn’t happen it wasn’t the end of the world, you’d given it your best shot. You never needed to look back and think, ‘what if’? What if I hadn’t tried, I might have never known if I could have made it. Hope came from inspiration and even if you were down on your luck something might trigger that dream and you’d go and spend your last thirty  pounds or dollars on a guitar. It was worth it. Do people do that anymore, do they  believe enough or have they been so brainwashed by  an industry that doesn’t believe enough in itself?  The industry is accepting of the fact that music doesn’t sell anymore and they’re looking for new revenue streams to claw on to anything they can. And yet they chose their own burial grave, they even bought up all the lots as year after year they didn’t seem concerned that independent records stores were closing. The first port of call for their new artists was disappearing around them and instead of reaching out to help they increased their discounts to Walmart and anyone else who’d buy in bulk. Never mind that they only bought a few titles, it was quick cash. Talk about biting off the hand that fed them for decades, they didn’t given a toss about the independent retailers who’d done as much as anyone to break their biggest selling artists. Where did they think they came from, Walmart?

Today's Music... Digital... what about the rest of it?

So what does drive the people making the music nowadays? Are they too accepting that there is a depressing reality in how many records they can sell? I suppose so, records and selling don’t go hand in hand anymore. Physical product doesn’t sell whoever you are with the odd one off exceptions to the rule like Susan Boyle and we all know where she came from. And furthermore will she be selling records in five years? Somehow I think not  and quite probably the novelty will have worn thin. There have been opera singers since before Elvis, they have always been there. So X Factor found a woman who sang opera OK, so what? They found an ordinary person singing opera, does that makes her extraordinary? She didn’t invent it, where’s the X for factors sake?  And all the Italians in flowing robes learned to sing mighty fine,  they didn’t need a talent show. And in the UK Russell Watson became big a decade ago so still nothing remotely novel or Xy about Susie girl. Funny how we used to do OK for talent before we had talent shows. We had a way to discover music but it started with an interest in it in the first place. Artists were interested in being heard and the public was keen to listen. Today they just don’t care and interest doesn’t even compare to passion. When did we last hear people being passionate about music. They have more passion for a pair of shoes!

Digressed a little there so more to come but that’ll do for today’s episode.